Topic 2: Pattern and Ornament

Small Work 1. Language: 2-D to 3-D translation.

Physical manifestation of one of the symbols

Symbol:

3D translation:


Instructions:







Comments

Post a Comment

Popular posts from this blog

The First Lisbon or Durer Rhinoceros of 1515 (reading response 4 & 7)

Image
The First Lisbon or Durer Rhinoceros of 1515 (reading response 4 & 7)  4  I prefer the woodcut by Durer even though the one from Hans possess lots of similarities, and is also not a realistic depiction of the animal the one from Durer is still my favorite. Maybe because I already know what rhinoceros look like I find beauty in his creation, I find it to be magical and kind of wished that rhinoceros looked like that in real life. The level of detail in which he drew it, combined with his imagination is fascinating. It is also wonderfully close to what a rhinoceros looks like, taking into consideration the fact that all he had as reference was a sketch and a letter, and he actually never saw it in person. 7 Giovanni Giacoma Penni, title-page, Rome, 13 July 1515 (Bibliotheca Colombina, Seville) I found this one to be the most amusing because I just really enjoy the drawing. It is very simple in its mark making, and also details but still manages to ...
Read more

The Outsider Art Fair

The Outsider Art Fair By Jerry Saltz Outsider, Self taught and Visionary are labels still used today to separate artists, and “real artists”  and determine whose work gets chosen to be part of the institutions. Jerry Saltz, criticizes this issue without holding back. He makes valid points which show how ridiculous and outdated this idea is, and how it is time for institutions and everyone to open their eyes and embrace the change. This practice profiles, and discriminates artist. It creates a line where there should be none, and prevents all this talented and creative individuals to gain recognition and claim their spot in the light. Saltz, raises an important point when he talks about how the story of art is being misrepresented, due to opportunities not being given equally, which at the end it affects art itself because there is no such a thing as outsider art. Art, and the art world should be inclusive without excuses. As an artist isn't an artist because they went to ...
Read more

Topic #4: Landscape- Additional quick research to accompany your reading of Eccentric Spaces

Image
Topic #4: Landscape- Additional quick research to accompany your reading of Eccentric Spaces Ha-has (recessed walls) A ha-ha is a recessed landscape design element that creates a vertical barrier while preserving an uninterrupted view of the landscape beyond. Ha-has are used in landscape design to prevent access to a garden, for example by grazing livestock, without obstructing views. The name "ha-ha" may derive from the unexpected (i.e., amusing) moment of discovery when, on approach, the vertical drop suddenly becomes visible.In security design, the element is used to deter vehicular access to a site while minimizing visual obstruction.Most typically, ha-has are still found in the grounds of grand country houses and estates and act as a means of keeping the cattle and sheep out of the formal gardens, without the need for obtrusive fencing. Parco del Mostri The Sacro Bosco ("Sacred Grove"), colloquially called Park of the Monsters(Parco dei Mostri...
Read more